We’re not likely to see season 2 of Euphoria until late 2022, but these performances have enough of a lasting effect until then. Where do we go from here? This is some teenage ish with some grown ass issues and you are rooting for the both of them to win. Rue leaves abruptly and we leave Jules sobbing through the rain on her window pane. In the first of the special two-part episode release, Rue discusses her breakup with Jules, as well as drug addiction and her mental health. Both sides can see that these are the worst things she has ever done. Rue stands close to the door while Jules sits on the bed, neither able to properly speak the truth. Some Euphoria fans hate Jules Vaughn, others love her. As she told one classmate who revealed she was. Both feel they are inadequate to sustain the love that they feel. Jules is seen as one of Euphoria 's most sex positive characters, which, given just what happened in the first episode alone, is saying a lot. The last scene we are back in reality, and our two characters have finally met up weeks after Jules left Rue at the train station. I’d find it hard to believe that someone finished this special without being affected. The imagery was the wrapping, the fantasy, the box, and the writing was the gift – hands down. “I think about the ocean…Because the ocean is strong as fuck and feminine as fuck.” – Jules That their body would become thick and rough – but also thinking of the beauty in thick and rough. She begins by saying, “I think I want to go off my hormones” then continues a high-level self-reflection on gender and transitioning before it is “too late.” The idea that puberty marked a point of which a body could not return. For the new years bash, she wore a bold black liner on her inner. The detail of experience in gender and trans existence came so effortlessly to Schaffer in a way that seemed deeper than just relating to the text. Jules Electric Inner Corner Liner As proven in season 1, Jules is the queen of graphic eye looks and season 2 is no different. Once the credits began to roll, my jaw was snatched when I saw “Written by Sam Levinson & Hunter Schaffer.” You better get it Hunter – you go Glen Coco! I knew Schaffer had to have at least consulted on the script.
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